Hi! I’m Kathy Ide. In addition to being a published author, I’m a full-time professional freelance editor. For CAN, I’m blogging about tips for writers based on the most common mistakes I see in the manuscripts I edit.
Hello, again! Maureen Pratt here with my monthly blogpost about the craft of writing. Today, I'm going to focus on techniques to employ to find and write distinctive voices for each of your characters or individuals in fiction or non-fiction.
I began my professional writing career as a playwright, earning my Master of Fine Arts in Theater Arts with a concentration in playwriting from UCLA and later having a number of plays produced. Unlike writing for the movies, playwriting "runs" on dialogue. A professional script for live theater contains very little, if any, description except to set the scene, and actor's notes should be non-existent. (Once a play has been published, which assumes it's been produced, these notes are usually inserted as guidelines for subsequent productions, however, original scripts do not include them.) So, it's vital that a playwright master the art of dialogue, crafting lines that contain meaning, emphasis, and character without "indicating" these in the script.
Example: "Mary: He did what? How? I don't believe it" instead of: "Mary (raising her voice and her eyebrows): He did what? (She sits down on the sofa) How? (She sighs) I don't believe it."
Hi, all! Ava Pennington here, to talk once again about additional ways we can market our books. Marketing isn’t restricted to convincing people to make a purchase. Good marketers will tell you that successful marketing is dependent upon relationships – building them and keeping them. One way to build relationships is to participate in the blogging community.